DEATH is seldom a final farewell in the hallowed realms inhabited by spandex-clad superheroes.

Superman, Batman, Spider-Man and Thor have all regenerated on the pages of well-thumbed comics.

Consequently, gobs should not be smacked if the 22nd film in the Marvel Comics cinematic universe chooses to resurrect some of the brave souls, who were reduced to ashes at the thrilling conclusion of Avengers: Infinity War when hulking villain Thanos (Josh Brolin) exterminated half of all living organisms with a snap of his digitally-rendered fingers.

Screenwriters Christopher Markus and Stephen McFeely confidently surf the ripple effect of Thanos’ radical approach to population control, cresting a wave of feverish anticipation that has been gathering momentum over the past 12 months.

The script’s reach occasionally exceeds its grasp and there’s a disappointing inevitability to some of the whirring cogs and gears of a slickly engineered plot that leans heavily on familiar science fiction paradoxes.

However, when planets align and pure emotion wells in the actors’ eyes, there’s no denying the primal power of pivotal scenes of self-sacrifice and redemption.

It’s a full-blooded odyssey of redemption that bristles with bold ambition and the studio’s trademark irreverent humour.

Thanos has devastated the overpopulated third rock from the sun, sounding a death knell for billions. Before his demise, Nick Fury (Samuel L Jackson) issued a distress call to Captain Marvel (Brie Larson) and she arrives on a decimated earth to mourn her fallen mentor.

Her formidable abilities may tip the balance of power back in favour of grief-stricken and bewildered survivors including Iron Man (Robert Downey Jr), Captain America (Chris Evans), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Black Widow (Johansson), Hawkeye (Jeremy Renner), Ant Man (Paul Rudd) and Nebula (Karen Gillan).

Avengers: Endgame is muscular, well-crafted blockbuster that nods reverentially to the past 11 years of Marvel Comics mayhem.

Directors Anthony and Joe Russo tug sharply at narrative threads that were supposedly tied up neatly in earlier films.

Mythologies unravel and hundreds of special effects artists flex their muscles to deliver a bombastic feast for the senses.

This is the end. For now.

RATING: 7.5/10

DAMON SMITH