ALMOST a decade after Noomi Rapace originated the role of emotionally damaged hacker Lisbeth Salander, Stockport-born actress Claire Foy becomes the third actress to wage war on abusive men as Swedish author Stieg Larsson’s avenging angel.

It’s a far cry from the elegance and pageantry of her award-winning portrayal of Queen Elizabeth II in The Crown and Foy embraces the physicality of the eye-catching role.

Unfortunately, this incarnation of Lisbeth lacks the emotional complexity of earlier instalments including David Fincher’s redundant American remake of The Girl With The Dragon Tattoo starring Rooney Mara.

The tormented heroine has been reduced to a two-dimensional action hero, who screeches around Stockholm on her motorcycle like Batgirl.

Adapted from the fourth book in the Millennium series, which was penned by David Lagercrantz after Larsson’s death, The Girl In The Spider’s Web is a convoluted conspiracy thriller, which forces Lisbeth to confront ghosts of her past as she uses her hi-tech expertise to avert nuclear armageddon.

Computer scientist Frans Balder (Stephen Merchant) hires Lisbeth to gain illegal access to the servers of the National Security Agency but her actions attract the attention of agent Edwin Needham (Lakeith Stanfield), who travels to Sweden to retrieve the stolen software and bring the hacker to justice.

The theft is complicated when masked assailants storm Lisbeth’s hi-tech lair and leave her for dead.

The battered and bruised heroine reluctantly re-establishes contact with tenacious journalist Mikael Blomkvist (Sverrir Gudnason) who exploits personal connections to Gabriella Grane (Synnove Macody Lund), deputy director of Swedish National Security, to identify the attackers.

Lisbeth follows a trail of evidence and realises that the brilliant mind of Balder’s autistic son August (Christopher Convery) is the key to cracking the case.

The Girl In The Spider’s Web is a slickly executed thriller-by-numbers, which resuscitates the franchise with a whimper rather than a bang. Foy adopts a solid Swedish accent and looks suitably brooding with tattoos, body piercings and motorcycle leathers but the script scrimps on meaty psychological detail.

RATING: 5/10